Part of the Iconic Stamp series. Click here to see the full list of Iconic Stamps.
Although the provision of adhesive postage stamps for use in India was considered as early as 1850, and local issues for distant Scind province were introduced by its Governor Sir Bartle Frere in 1852, no serious progress was made in the capital, Calcutta, until early 1854.
The key figure was the deputy Surveyor-general of the Survey of India, Capt. H.L. Thuillier, who undertook to print the large quantities of stamps that would be needed, using the relatively modern lithographic process. This employed specially prepared blocks of stone, and depended on the principle that oil and water do not mix. The master designs were engraved on copper, but had to be transferred to the printing stones via paper cut-outs – a very delicate operation.
After a series of sometimes disastrous experiments, sufficient supplies of blue ½ anna and red 1anna stamps were produced in sheets of 96, ready to go on sale 1 October. A higher value 4 anna stamp was also planned.
The 1854 4 anna of India is a stamp like no other. With its red octagonal frame (the distinctive shape suggested by the current 6d, 10d and 1s embossed stamps of Great Britain) and blue central head of Queen Victoria, it was the first bicoloured stamp of the British Empire, and of course it had to be printed at two operations. The red frames were printed first, the sheets allowed to dry, and then the blue heads were added on the next day. This was a laborious business, especially when it is realised that the original small sheets contained only 12 stamps each, arranged in three rows of four on a grid of wavy lines and rosettes.
Yet such was Thuillier’s energy that when the go-ahead was finally received on 12 October, he managed to get enough printed for them to go on sale three days later. It was not until 1890 that it was discovered that this great haste had resulted in some errors slipping through unnoticed, namely stamps with INVERTED HEAD, of which 28 examples are now known to exist. Not surprisingly, these have an almost legendary status today, and are regarded as the greatest of Indian classic rarities, even though Thuillier himself would have been deeply embarrassed by their survival.
These locally printed and imperforate lithographed stamps were only ever intended as a temporary measure, until De La Rue in London could start production of permanent perforated issues, but they had a life of two or three years, with further Calcutta printings in 1855. They have fascinated collectors ever since, and many have devoted themselves to their study.
In total there were five separate printings of the famous 4 anna, for the last two of which the number of stamps in each sheet was increased from 12 to 24, with the wide spacing between impressions reduced and the original fancy grid abandoned. Details of both frame and head also underwent subtle changes through these printings, as the copper die had to be successively re-engraved. Yet just that one die, engraved for Thuillier by one Munirooddin, was ultimately the source of over one and a half million of the bicoloured 4 anna.
The full list of Iconic Stamps
- Penny Black – Great Britain 1840
- £5 Orange – Great Britain 1882
- “Seahorse” High Values – Great Britain 1913
- Postal Union Congress (PUC) £1 – Great Britain 1929
- “Wilding” Definitives – Great Britain 1952
- “Machin” Definitives – Great Britain 1967
- Four Annas – India 1854
- The ‘Camel Postman’ – Sudan 1898
- Five Shillings Penguin – Falkland Islands 1933
- Royal Silver Wedding – Commonwealth 1948